From 1975 until 1984, most of my 35mm beauty shots were through an ancestor lens, the Micro-Nikkor 105mm f4.0s, which is razor sharp and has pretty good bokeh. Like all Micro-Nikkors, however, it is little tiresome to because the effective aperature drops dramaticly when focusing closer than twelve feet. I switched to a vintage Leica M2 and a Leitz 90mm f2.8 Elmarit, which seriously raised my appreciation for the contribution a velvety bokeh makes to a portrait.
The bokeh in this picture is moderately harsh, I think. At least, it isn't as objectionable as I predicted based on earlier highlight tests. I'll be looking for portrait volunteers for additional tests...
Technical: Nikon D700, ISO 200, AF Micro-Nikkor 105mm f2.8 D, f/5.6 @ 1/90s, available window light, hand held. Processed in Lightroom 2 with Mike Lao's "300" preset as a starting point.
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