Friday, March 29, 2013

Moon Rise with Poplars


It is great to have the time to grab a few shots again.  This a view from our bedroom, March 27, 2013.  This picture is the result of three hand held 1-stop bracketed shots processed in Nik HDR Efex 2, with minor touch up and cropping in Photoshop CS6.


New to OnOne Perfect Suite 7 is Perfect B&W.  This picture was made the Albumen Print preset, after which I applied a sepia/blue split tone in Photoshop CS6.  I'm fascinated by the look of early photographic processes and it is nice to have tools that support exploring them easily.

Technical
Camera: Nikon D800
Lens: AF Nikkor 180mm f/2.8D IF-ED
Exposure: Three 1-stop brackets around f/2.8 @ 1/15s @ ISO 1600
Support: Handheld
Software: DxO Optics Pro, Lightroom 4, Photoshop CS6, Nik HDR Efex, Perfect B&W

Saturday, January 26, 2013

PRESTON PAGE photography: Tree of Influences Redux


PRESTON PAGE photography: Tree of Influences Redux: Irving Penn, 1949 In his wonderful book,  "A Notebook At Random , Irving Penn shared his "tree of influence" sketch.  The exercise is r...

Wednesday, September 12, 2012

Testing the Nikon D4: High ISO


This shot of two Ring-tailed Lemurs was captured in low light at ISO 12,800. The linked image is a 100% crop jpg. Processing is standard Lightroom 4 input sharpening and no noise reduction or output sharpening. Nikkor 300/f4 with TCII14 = 420mm, 1/80 @ f/5.6, 12,800 ISO

Sunday, June 3, 2012

Wednesday, May 30, 2012

Monday, May 28, 2012

Sunday, May 27, 2012

photography Preston Page: Nikon D800 ISO 12800 Test


See: photography Preston Page: Nikon D800 ISO 12800 Test: The Nikon D800 at ISO 12,800 can produce very usable images, at least for certain types of pictures and videos.  This is a quick clip o...

Friday, May 25, 2012

The Fabulous Fox Theater


This shot of the Fox Theater is the last picture I made with the legendary Nikon D700, snapped during the Grand Center Art Walk.  The camera is on its way to an eBay buyer, replaced by a Nikon D800.  Introduced in 2008, using the same FX sensor as the Nikon D3, the D700 rapidly became a game changer as the first affordable full frame DSLR.


This blue/sepia split tone version was created in Nik Silver Efex Pro 2.

Camera: Nikon D700
Lens: AF-S Nikon 50mm f/1.4G
Exposure: ISO 800 @ f/4.0 @ 1/60s Auto WB, hand held while walking.

Friday, May 4, 2012

Nikon D800/D800E News Update

photography Preston Page: Amazon.com's latest estimated delivery date form m...: Amazon.com's latest estimated delivery date form my D800 of April 30 came and went with no camera on my doorstep, so rather than taking p...

Tuesday, October 4, 2011

Epson 4880 Printer

Selling my Epson 4880 if anyone's interested. I've listed on Craig's List: http://stlouis.craigslist.org/pho/2632484227.html

Sunday, September 11, 2011

Dark City #27, HDR


After some time away, I've returned to collecting candidate images for my Dark City series.  This picture started with three hand held 1-stop brackets processed in Nik HDR Efex.


This monochrome come from a virtual copy of the top picture with a blue/sepia split tone applied in Lightroom 3.

Technical
Camera: Nikon D700
Lens: Nikkor AF 24-85mm f/2.8-4 D IF
Exposure: ISO 100, 52mm @f/8.0 @ 1/400s, Auto WB, RAW
Lighting: Daylight
Support: Handheld
Location: Clayton, Missouri
Dates: Capture - September 11, 2011, Processed - September 11, 2011
Processing: Lightroom 3, Nik HDR Efex, Photoshop CS5



Wednesday, August 24, 2011

Sandy Shaw #3, Process Variations


Model Sandy Shaw for Style Magazine, makeup and hair Susan Page, photo styling Marijo Bianco.  Capture with Hasselblad 500 C/M, Zeiss 150mm f/4.0, Fujichrome 50.  Original Cibachrome print.


Grunge version, blue/sepia split tone in Lightroom 3.

Tuesday, August 23, 2011

Linda Keaton in Creve Coeur Park


Model Linda Keaton braving the green water in Creve Coeur Park Lake, makeup and hair by Jackie Hicks.  Photo capture with Hasselblad 500 C/M, 150mm f/4.0 Sonnar, Kodak TMax 100.  Original print on Agfa Portriga Rapid #3.

Grunge processing with blue and sepia split tone in Nik Silver Efex Pro 2.

Sunday, August 21, 2011

Pennie #5 Process Variations


Pennie Beaumont strutting her stuff for an ad... that I really don't remember what it was for, but likely the boots!  But I always like the mood of this picture.  This picture was made with a Nikon F2 w/motor drive (did I mention I miss that sound?), Reflex Nikkor 500mm f/8.0, K2 filter, Miller fluid head on a Sampson tripod, Ilford Delta 3200.  It was windy, overcast and blistering hot.


Platinum reprint.

The original cyanotype is lost, but recreated here using Nik Silver Efex Pro 2 and my custom preset.

Pennie in Stix Fur Ad


This is model Pennie Beaumont in picture ran for several years as an ad for the Stix, Baer & Fuller fur salon.  The day we were to shoot, the furs were stolen from a loading dock before any could make it to the studio, so we had to make do with Pennie's own winter coat, which was dark and had some texture, but was nothing like fur, really.  Photo made with a Nikon F2 w/motor drive (I miss that sound!), Nikkor 105mm f/2.5, Kodak Panatomic X, K2 filter and printed on Agfa Portriga Rapid.

Terrence #2 - Variations


Model Terrence dropped by the studio after a hard gym workout for a few quick shots.  At the time, I was influenced by Francis Bacon for male nude form.  Created with a Leica M3, 90mm f/2.8 Elmarit, Afgapan 25, K2 filter, single Broncolor Pulso head with a honeycomb grid.  Originally printed on Agfa Portriga Rapid, this is a digital copy made a Nikon D700 and Micro-Nikkor 60mm f/2.8.  


Polaroid P/N transfer version.


Blue/Sepia split tone version.


Jenny in Denim, Process Variations


Model Jenny in vintage denim, makeup by Susan Page, photo styling by Marijo Bianco for Style Magazine.  Picture made with a Leica M2, 90mm f/2.8 Elmarit, Kodak Ektachrome 64 Professional.


I made a cyanotype version for the original project, which was a denim series, but the original print was lost.  The recreation here is from Nik Silver Efex Pro 2.